Prace artystyczne

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https://share.swps.edu.pl/handle/swps/15

Recent Submissions

Now showing 1 - 5 of 353
  • 2026-05-12
    closedaccess

    Cykl prac "Symulakry"

    Semaniszyn-Konat, Agnieszka
    Akademia Sztuk Pięknych im. E. Gepperta we Wrocławiu
    Anna Maria Kramm i Sylwia Mucha (Wrocław)
    The "Simulacra" (2026) series of works by Agnieszka Semaniszyn-Konat offers a critical reconfiguration of the theme of the exhibition where it was presented: "Soda Spring". The series juxtaposes the promise of lightness, effervescent refreshment, and social relaxation with the relentless mechanics of Jean Baudrillard’s fourth stage of the image. Created using a mixed-media technique, incorporating acrylic, pigment, and resin. The works measure 20 × 20 cm. This intimate, modular format mimics the dimensions of interface tiles and social media layouts, where the experience of art is reduced to a superficial, safe swipe. The series was showcased at the "Soda Spring" exhibition, part of the Wrocław Painting Biennale. The exhibition and the Biennale were organized by the E. Geppert Academy of Art and Design in Wrocław. The exhibition took place at the "Sztuka na miejscu" gallery in Wrocław from May 12 to June 7, 2026, and was curated by Anna Maria Kramm and Sylwia Mucha. The event received funding from the Ministry of Culture and National Heritage, the City of Wrocław, and the Wrocław Academic Center.
    Osiągnięcia artystycznePrace artystyczneauthorship of an artwork at an event
  • 2026-07-03
    closedaccess

    Wystawa malarstwa i rysunku "Warp | Incipit"

    Semaniszyn-Konat, Agnieszka
    Okręg Gliwicko-Zabrzański i Okręg Wrocławski Związku Polskich Artystów Plastyków
    Prof. Ewa Maria Poradowska-Werszler (Wrocław)
    Agnieszka Semaniszyn-Konat’s solo exhibition of paintings and drawings, titled "Warp | Incipit," marks the launch of her doctoral research process. The title "Warp" refers to the concept of the warp, the threads forming the structural skeleton of a textile and, simultaneously, the foundational basis of the research process. The English term also carries a secondary meaning: distortion, warping, and a glitch structural rupture or flaw, elements that foreshadow the research problems and formal operations to be developed in the doctoral thesis. "Incipit" understood as a beginning, the opening words of a literary text, or the initial bars of a musical score, signals the inauguration of a rigorous cognitive process. The exhibition presented twenty paintings and drawings created between 2024 and 2026. The works, ranging in size from 20x20 cm to 150x100 cm, were executed using various techniques: oil on canvas, mixed media, proprietary techniques, and colored pencil on paper. The exhibition was held at the Galeria Tkacka at Jatki in Wrocław from July 3 to August 17, 2026. It was organized through the collaboration of the Gliwice-Zabrze and Wrocław Districts of the Association of Polish Visual Artists and supported by the Scientific Research Development Fund of SWPS University.
    Osiągnięcia artystycznePrace artystyczneauthor's exhibition in a renowned institution
  • 2026-06-20
    closedaccess

    Projekt scenografii wystawy "Robić nic"

    Nowak, Agata
    Gdynia Design Days 2026
    Agata Nowak (Gdynia)
    Agata Nowak designed scenography for the exhibition "Doing Nothing", part of the Gdynia Design Days 2026 festival. The exhibition explored how to regain the ability to do nothing - a skill lost in a society that promotes constant productivity. "Doing Nothing" examines design as a tool that can support the recovery of this lost ability. The concepts and initiatives presented offered various strategies for letting go, ranging from bodywork and breathing techniques to limiting sensory stimuli and consciously creating conditions for idleness. The exhibition featured projects from countries including Poland, France, and South Korea. It was held from June 20 to 28 at the Pomeranian Science and Technology Park (PPNT). The partners of exhibition was Davis Home, Mudita, Scrolly, and IKEA. The festival is organized by the City of Gdynia, PPNT Gdynia, and the Gdynia Design Centre. Held since 2008, it is one of Poland's most important design events; its partners include Vogue Living, White MAD, Formy XYZ, and Label Magazine.
    Osiągnięcia artystycznePrace artystyczneauthorship of an artistic work
  • 2026-07-31
    closedaccess

    Projekt identyfikacji wizualnej marki Kaliński Invest

    Zagórski, Filip
    Filip Zagórski designed the visual identity for Kaliński Invest, a company operating in the investment and real estate sectors. The scope of work included developing the identity concept, a new logo and symbol, and a comprehensive visual system defining the rules for their application in brand communications. The project also encompassed the creation of a color palette, typographic guidelines, a modular grid-based layout system, a graphic motif, and selected identity applications, including for digital channels and social media. The goal was to establish a cohesive visual language that blends the brand’s experience and stability with its modern investment profile and openness to innovation. A key aspect of the concept was translating brand values ​​into visual communication elements. The resulting system organizes the brand’s personal, investment, and development-related communications, laying the groundwork for future growth and consistent interaction with the business environment. Kaliński Invest is a Polish limited liability company registered in Warsaw in April 2022.
    Osiągnięcia artystycznePrace artystyczneauthorship of a work - design arts
  • 2026-07-06
    closedaccess

    Projekt identyfikacji wizualnej i strony internetowej 30. Wystawy Wrocławskiej Grafiki Użytkowej

    Antczak, Mateusz
    Katedra Grafiki Uniwersytetu SWPS
    Dorota Płuchowska, Mateusz Antczak (Wrocław)
    Mateusz Antczak designed the visual identity system and website layout for the 30th Wrocław Applied Graphic Exhibition. The system continues a cohesive design concept developed since 2020. The project scope included creating a comprehensive visual identity system, featuring an identifying logo, as well as a suite of printed materials such as posters, invitations, stickers, and exhibition display elements. Concurrently, a full set of digital assets for online communication and social media was developed. The project also featured an interactive event website designed according to responsive design principles. The theme for this edition was "Beyond the Frame", referencing contemporary trends in visual communication design and the exploration of new areas of its impact. The event was organized for the fourth time by the Department of Graphic Design at SWPS University. The exhibition was held at Concordia Design Wrocław and was open to visitors from July 6 to July 24, 2026. The event’s content partners were the Wrocław City Office and the SWPS University Graphic Design Gallery. Supporting partners included Concordia Design Wrocław and the Art Transparent Foundation, while the *Font nie czcionka!* portal served as the media partner.
    Osiągnięcia artystycznePrace artystyczneauthorship of a work - design arts