Shakespeare's Mixed Genres

StatusVoR
Simple item page
cris.lastimport.scopus2025-12-07T04:15:03Z
dc.abstract.enThe problem of generic transformations to which Shakespeare’s plays bear witness is discussed against the ancient and early renaissance definitions and discussions of dramatic genres, from Aristotle through Plautus, Cintho, Castelvetro, Guarini to Sidney. The point of interest is located in the fuzziness in which comedy melts with tragedy (or the other way round) and yields in effect a new creation – tragicomedy. The wide range of Shakespearean comedy, tragedy, histories an Roman plays is briefly discussed in order to illustrate Shakespeare’s generic transformations, proving that traditional construction of dramatic genres, i.e., of tragedy, comedy and tragicomedy, was too narrow and too constraining for the early modern modern understanding of the condition of man.
dc.abstract.plProblem transformacji gatunkowych w dramatach Szekspira jest omawiany w oparciu o tradycje teoretyczne od Arystotelesa, poprzez pisma Plauta, Cinthia, Castelvetra, Guariniego i Sidneya. Główny problem skupiony jest na mieszaniu wątków komediowych i tragicznych prowadzących do mody na tragikomedię. Szekspirowskie komedie, tragedie, sztuki historyczne i tragedie rzymskie są pokrótce omówione dla zilustrowania szekspirowskich transformacji, które dowodzą, że tradycyjny, wyraźny podział na tragedie, komedie i tragikomedie był zbyt wąski i zbyt ograniczający rozumienie kondycji człowieka w okresie wczesno-nowożytnym.
dc.affiliationWydział Interdyscyplinarny
dc.contributor.authorGibińska-Marzec, Marta
dc.date.access2024-06-29
dc.date.accessioned2025-12-04T10:58:58Z
dc.date.available2025-12-04T10:58:58Z
dc.date.created2024-04-05
dc.date.issued2024-06-29
dc.description.abstract<jats:p>The problem of generic transformations to which Shakespeare’s plays bear witness is discussed against the ancient and early renaissance definitions and discussions of dramatic genres, from Aristotle through Plautus, Cintho, Castelvetro, Guarini to Sidney. The point of interest is located in the fuzziness in which comedy melts with tragedy (or the other way round) and yields in effect a new creation – tragicomedy. The wide range of Shakespearean comedy, tragedy, histories and Roman plays is briefly discussed in order to illustrate Shakespeare’s generic transformations, proving that traditional construction of dramatic genres, i.e., of tragedy, comedy and tragicomedy, was too narrow and too constraining for the early modern understanding of the condition of man.</jats:p>
dc.description.accesstimeat_publication
dc.description.issue2
dc.description.physical289-297
dc.description.sdgQualityEducation
dc.description.versionfinal_published
dc.description.volume45
dc.identifier.doi10.35765/pk.2024.4502.21
dc.identifier.eissn2719-8014
dc.identifier.issn2081-1446
dc.identifier.urihttps://share.swps.edu.pl/handle/swps/2064
dc.identifier.weblinkhttps://czasopisma.ignatianum.edu.pl/pk/article/view/2024.4502.21
dc.languageen
dc.language.abstracten
dc.language.otherpl
dc.language.subjecten
dc.pbn.affiliationliteraturoznawstwo
dc.rightsCC-BY-ND
dc.rights.questionYes_rights
dc.share.articleOPEN_JOURNAL
dc.subject.entragedy
dc.subject.encomedy
dc.subject.entragicomedy
dc.subject.enAristotle
dc.subject.enItalian renaissance models
dc.subject.enShakespeare
dc.subject.pltragedia
dc.subject.plkomedia
dc.subject.pltragikomedia
dc.subject.plArystoteles
dc.subject.plwłoskie modele wczesnorenesansowe
dc.subject.plSzekspir
dc.swps.sciencecloudsend
dc.titleShakespeare's Mixed Genres
dc.title.alternativeTransformacje gatunkowe w dramatach Szekspira
dc.title.journalPerspektywy Kultury
dc.typeJournalArticle
dspace.entity.typeArticle